Unless an in or out point are set, all edits occur from the position of the playhead in the Timeline.Please help improve this article by adding citations to reliable sources.Find sources: Final Cut Pro news newspapers books scholar JSTOR ( October 2011 ) ( Learn how and when to remove this template message ) Series of video editing applications by Apple.
Developer(s) Apple Inc. Macromedia Inc. (before 1998) Initial release June 21, 2011 Stable release 10.5.2. The most recent version, Final Cut Pro 10.5.1, runs on Mac computers powered by macOS Catalina 10.15.6 or later. Brenneis Final Cut Express Software Allows UsersThe software allows users to log and transfer video onto a hard drive (internal or external), where it can be edited, processed, and output to a wide variety of formats. The fully rewritten Final Cut Pro X was introduced by Apple in 2011, with the last version of the legacy Final Cut Pro being version 7.0.3. It has also made inroads with film and television editors who have traditionally used Avid Technology s Media Composer. Brenneis Final Cut Express Professional Editing MarketAccording to a 2007 SCRI study, Final Cut Pro made up 49 of the United States professional editing market, with Avid at 22. ![]() It supports a number of simultaneously composited video tracks (limited mainly by video form capability); unlimited audio tracks; multi-camera editing for combining video from multiple camera sources; 360 video editing support; as well as the standard ripple, roll, slip, slide, scrub, razor blade and time remapping edit functions. It also has multiple color correction tools including color wheels, sliders and curves, video scopes and a selection of generators, such as slugs, test cards, and noise. ![]() The Viewer, where individual media files can be previewed and trimmed, replicates the source monitor of older tape-based systems. The Canvas replicates the program monitor in such systems, where the edited material is viewed. The Timeline, where media are assembled into a sequence, replicates the physically edited film or master tape of earlier systems. ![]() It is an entirely virtual space in which references to clips (aliases) are placed for easy access, and arranged in folders called bins. Since they are only references to clips that are on the media drive of the computer, moving or deleting a source file on the media hard drive destroys the link between the entry in the Browser and the actual media. This results in a media offline situation, and the media must be reconnected. Final Cut Pro can search for the media itself, or the user can do this manually. If multiple clips are offline at the same time, Final Cut can reconnect all the offline media clips that are in the relative directory path as the first offline media clips that is reconnected. To add clips to the Timeline, besides dragging them there, it is possible to drag clips from the Browser or Viewer onto the Canvas, whereupon the so-called edit overlay appears. The edit overlay has seven drop zones, into which clips can be dragged in order to perform different edits. The default is the overwrite edit, which overwrites at an in point or the space occupied after the playhead with the incoming clip. The insert edit slots a clip into the sequence at the in point or playheads position, keeping the rest of the video intact, but moving it all aside so that the new clip fits. There are also drop zones to have the application automatically insert transitions. The replace edit replaces a clip in the Timeline with an incoming clip, and the fit to fill edit does the same thing, but at the same time, it adjusts the playback speed of the incoming clip so that all of it will fit into the required space in the Timeline. Finally there is the superimpose edit, which automatically places the dropped clip on the track above the clip in the Timeline, with a duration equal to the clip below it.
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